The collection plates included include:
*Copyright information in Chinese, English and Japanese
*Overall image of the collection: display the introduction, water barrier, works, seals in the painting, inscriptions and postscripts, and print them down according to the page size.
*The original size image of the collection: This work and some inscriptions with high artistic value are marked with "original size" under the plate.
*Partial images of the collection: The details are wonderful or the ink and ink are rich, and the whole or part is enlarged with multiple plates, and the plates are marked with "enlargement ratio".
The plates of the collections include:
*The copyright information of three languages (Chinese, English, Japanese).
*Complete images of the collections: The images present the “guide, ge-shui (a form of calligraphy and painting mounting), painting, seal, preface and postscript, and the small-paper copy (according to the scale of paper) of paintings.
*Full scale images of the collections: Annotating “full size” under the plates of the paintings or the preface and postscript with higher artistic value.
*Detail images of the collections: Providing the more exquisite details and abundant information about pen and ink of the paintings. Magnifying the whole or the part of paintings with several plates, and annotating “ a large size proportion”.
The introduction of the plates include:
*The introduction of the collections: Inviting the experts in artist to write appreciation and textual criticism for each collection.
*The interpretation of preface and postscript: The complete, detailed, and rigorous interpretation of the words on preface and postscript (guide, ge-shu, Shih Tang, streak), then through strike review and proofreader, and presented with standard Traditional Chinese.
*The interpretation of the seals: All the seals published in each collection had interpreted by the experts. Then put them in the introductory of plates after comparing the pictures and words.
The master pieces recorded in this collection include:
*The master pieces: “Tsan Sang Tu” (the painting of silkworm and chinese hibiscus leaf), “Mu Dan Tu” (the painting of peony), “Pi Pa Tu” (the painting of loquat), “Kong Lin Ji Yu Tu”, “Chiou Lin Sian Diao Tu”, “Yeh Yu Bo Jhou Tu”, “Shih Sih Yeh Yueh Tu”, “Si Shan Ji You Tu”, etc.
*If you want to take the catalogue list of the collections in this book, please contact online customer service or call us, we will have dedicated person to service you immediately.
Museum image licensing:
*China: The Palace Museum, Shanghai Museum, Tianjin Museum, Nanjing Museum, etc.
*Europe: British Museum, Museum of Asian Art, etc.
*The USA: Metropolitan Museum of Art, The Art Institute of Chicago, The Cleveland Museum of Art, etc.
*Japan: Kyoto National Museum.
*If you want to know the list of all museums that cooperate and license us, please contact online customer service or call us, we will have dedicated person to service you immediately.
Experts recommend:
Wen C. Fong (a famous art historian, a emeritus professor of Department of Art and Archaeology in Princeton University)
Richard Barnhart (a famous art historian, a academic tenure of Yale University)
Hiroyuki Sugiyama (the chief of KGC)
Innshutsu Meikou (the vice chief of KGC)
Beitaku Hannhaku (SCREEN in Japan)
Paintings of Chinese past dynasties have been compiled and published in sequence —“The Collection of Pre-qin, Han and Tang Dynasty Paintings”, “The Collection of Song Dynasty Paintings” “The Collection of Yuan Dynasty Paintings”, “The Collection of Ming Dynasty Paintings”, “The Collection of Qing Dynasty Paintings”. 67 scrolls and more than 240 volumes in total, which collected more than 12250 pieces of Chinese paintings of more than 260 museums at home and abroad. Taking more than 23000 high clear images, including most of the national treasure level Chinese paintings which are handed on from one generation to another. So far, the books have the most complete collections, the most vivid image records, the most exquisite printing quality, and the largest published image of Chinese painting of all the similar publications.
“The Collection of Ming Dynasty Paintings” VOL.4 collects the paintings of Shen Zhou. And the works include “Shan Shuei Tu” (as known as “Fang Wang Mong Shan Shuei Tu, the imitation painting of the Shan Shuei Tu attributed to Wang Mong”, in the collection of the Rietberg Museum), which was created in the fifth years of Tianshun period, “Lin Dai Jin Sieh An Dong Shan Tu”, the painting of masterpiece of verdant mountain and clear water, which was donated to Shanghai Museum by Wan-go H.C. Weng (the Great-great-grandson of Qing Imperial Preceptor, Weng Tonghe) in Jan, 2019, and “Fang Huang Gong Wang Fu Chun Shan Jyu Tu, the imitation painting of the Fu Chun Shan Jyu Tu attributed to Huang Gong Wang” (in the collection of theThe Palace Museum), etc.
“The Collection of Ming Dynasty Paintings” VOL.4 , Shen Zhou, 5 books in tatal, you deserve it.
*The customers are allowed to browse before purchasing, please contact online customer service or call us, we will have dedicated person to service you immediately.
*If you need overseas purchase and delivery, please contact online customer service or call us, we will have dedicated person to service you immediately.
*If there is any large order, please contact online customer service or call us, we will have dedicated person to service you immediately.
<tc>“The Collection of Ming Dynasty Paintings” VOL.4 : Shen Zhou</tc>
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“The Collection of Ming Dynasty Paintings” VOL.4 : Shen Zhou, 2 books in total.
This volume has collected 52 worldwide collection institutions, and there are totally 194 paintings of Shen Zhou.
The information of each collection includes complete image, full scale image, and detail image. Many collections were seldom exhibited, and some of them were never published with high clear image in public. Moreover, we even invited art historians to write painting appreciation and textual research. In this way, the readers can appreciate these exquisite paintings with a more borden and comprehensive perspective.
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